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This 3 x 3 in. circular patch features Kehinde Wiley’s 2020 painting Portrait of Savannah Essah. The model, of the same name, is a resident of London. The models for this series were scouted in the East London Neighborhood of Dalston. The backgrounds used in this series were taken from William Morris wallpaper designs, utilized in conjunction with the acclaimed feminist text, The Yellow Wallpaper, by Charlotte Perkins Gilman. Wiley’s The Yellow Wallpaper exhibition explored the themes of femininity and insanity, as described in the eponymous text, and places the female sitters in the language of the decorative to reconcile the themes of blackness and gender with a beautiful and terrible past, as the models gaze back at the viewers surrounded by Morris’ lavish and enveloping patterning. Dye-sublimation with blue merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019. ...

This 32-page coloring book includes 15 ready to be colored-in works from Kehinde Wiley's 2013 exhibition The World Stage: Jamaica. First exhibited at Stephen Friedman Gallery in London, Wiley, using his notorious street casting method, places contemporary Jamaican natives in heroic poses that reference directly from 17th and 18th century British portraiture and feature background patterns inspired by British textiles. The body of works offers a corrective to the omission of the black figure from art history and specifically comments on the nature of the relationship between the United Kingdom and its former colonial holding. Wiley’s exhibition The World Stage: Jamaica is part of a broader project titled "The World Stage," which presents portraits of black and brown men and women the artist met in China, Brazil, Nigeria, Haiti, Israel, and India.  -8.5"x11" -15 illustrated works to color-in -Soft-touch, coated paper finish -Recommended mediums: non-bleed markers and wax or oil-based......

Add some art and color to your game with this limited-edition basketball featuring Kehinde Wiley's 2017 painting, Death of St. Joseph. Wiley’s painting derives its ideation from 18th Century classical biblical portraiture and the enigmatic art history of St. Joseph, boldly reimagined to engage with a contemporary audience.  The design emphasis is on the model’s open hand, inviting multi-cultural conversation and connection between time and place. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019. Leather basketball in monogrammed cotton dust bag. Lucite basketball stand sold separately.   Basketballs ship deflated from the USA. Pump required....

The Blue Boy candle is titled after Kehinde Wiley's painting, A Portrait of a Young Gentleman (2021), created as a contemporary response to Thomas Gainsborough's iconic Blue Boy portrait (1770).  This limited edition candle is inspired by the manner in which Wiley's painting reimagines Gainsboroughs young, white subject as a Black, Senegalese surfer, and replaces the original moody, wooded landscape with a vibrant floral backdrop.  The scent is comprised of a poignant blend of cedar wood, incense, Siberian Fir and black pepper. Candle boxes may contain oil spots on the inner portion, this does not affect the outside of the box or the functionality of the candle. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.  

This hardcover notebook features Kehinde Wiley’s 2013 painting Saint John the Baptist in the Wilderness, reimagined from Michelangelo Merisi da Caravaggio’s 1605 painting of the same name. Both the pose of Wiley’s model, as well as the background pattern (William Morris) were both sourced from the artistic traditions of Jamaica's former colonizer. Jamaica's brutal history of colonization, slavery, and forced migrations positions it as a perfect subject matter for Wiley’s methodical, role-reversing portraiture oeuvre. Ivory-colored paper (70g/m2, acid free Plain pages). Hardcover with elastic closure and rounded corners. Dimensions: 6"w x 8.25"d x .5"h. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019. ...

This rectangular lucite magnet features Kehinde Wiley’s 2022 painting titled Morpheus (Ndeye Fatou Mbaye), first exhibited in Kehinde Wiley: An Archaeology of Silence at Foundazione Giorgio Cini as a collateral event of the 59th international art exhibition – La Biennale di Venezia. Expanding on Kehinde Wiley's body of work DOWN from 2008, which was initially inspired by Hans Holbein the Younger's The Dead Christ in the Tomb as well as historical paintings and sculptures of fallen warriors and figures in the state of repose, Wiley created an unsettling series of prone Black bodies, re-conceptualizing classical pictorial forms to create a contemporary version of monumental portraiture, resounding with violence, pain, and death, as well as ecstasy. 3" x 4" lucite magnet. Designed in New York City. Made in China. Proceeds from your purchase support the artists-in-residence program Black Rock Sénégal, founded by Wiley in 2019. ...

This limited edition deck of cards features Kehinde Wiley’s 2008 painting Morpheus, reimagined from the Jean-Antoine Houdon 1777 marble sculpture of the same name. Featured in the 2008 exhibition “Down” at Deitch Projects, the series references and re-conceptualizes classic pictorial forms of heroism in the face of death. Morpheus features a model from Brooklyn, lain across a white sheet while florals from the background spring into life around his body. Unlike its 18th century counterpart, he addresses onlookers with direct eye contact and a seductive look of invitation, with the repeating floral background protruding into the foreground. 52 playing cards. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.  ...

This all-over printed notebook features one of Kehinde Wiley’s early works from the series Conspicuous Fraud, a group of paintings which emphasize and explore the beauty of natural black hair. The Conspicuous Fraud Series #1 (Eminence) Notebook draws inspiration from Wiley’s artwork of the same name, made by the artist while he was in residence at the Studio Museum in Harlem in 2001. Twisting and turning through the sky, the contours of the subject’s oversized Afro hairdo transform into clouds, confusing the relationship of the subject and the background of the picture.Notebook7.4 x 9.8 x .75 inchesMade in Germany Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.

This limited edition tote bag features Kehinde Wiley's 2012 painting Mrs. Siddons, which was first exhibited at Sean Kelly Gallery in "An Economy of Grace", Wiley's first-ever series dedicated to female subjects. Reimagined from Thomas Gainsborough's 1785 painting of the same name, Wiley's subject wears a dress designed in collaboration with Riccardo Tisci. Assuming the pose of her 18th century counterpart, her head is tilted rightward, looking to something beyond the canvas edges. Two-sided canvas bag Satin lined Jacquard woven logo handles Measures 16 x 17 inches Handle drop 11 inches Net proceeds from your purchase support Black Rock Sénégal, Wiley's artist in residence program in Dakar, Sénégal. ...

This deck of cards features A Portrait of a Young Gentleman, (2021) by Kehinde Wiley, which was created as a contemporary response to Thomas Gainsborough's iconic Blue Boy portrait (1770).  This set of playing cards is inspired by the manner in which Wiley's painting reimagines Gainsborough's young, white subject as a Black, Senegalese surfer and replaces the original moody, wooded landscape with a vibrant, floral backdrop.   54 playing cards, linen embossed finish. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.