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This 3 x 3 in. square patch features Kehinde Wiley’s 2008 painting Matar Mbaye II, from The World Stage: Africa, Lagos-Dakar. Featuring the model of the same name, an intricate grapevine background protrudes around his torso and into the foreground as his gaze meets the viewers directly. Taking on a more regional approach, Wiley turned to many post-colonial sculptures throughout Lagos and Dakar for reference poses for his models. Dye-sublimation with purple merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.

This 3 x 3 in. square patch features Kehinde Wiley’s 2009 painting Alegoria a Lei do Ventre Livre, reimagined from A.D. Bressae’s Alegoria a Lei do Ventre Livre (Allegory of the Law of Free Birth). The gesso scultpure serves as an allegory for the 1871 law that awarded “freedom” to children who were born of slave parents. Under this legislation, unless slave owners were compensated, these children were required to stay with their slave parents until they reached 21 years of age. The irony of this law is bypassed in A.D. Bressae’s rendering of a young Black boy proudly holding a notice of law in one hand, and a broken chain in the other. Wiley’s rendition features a model that is less-than-enthusiastic for such a legislation that ultimately bought slave owners more time against abolitionists. Dye-sublimation with green merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.  ...

This 3.25 x 4 in. shield shaped patch features Kehinde Wiley’s 2006 painting Willem van Heythuysen, reimagined from Frans Hals’s Portrait of Willem van Heythuysen. Wiley’s model, a young man from Harlem, New York, can only be identified by the name of his 17th century counterpart, from the other Haarlem, in the Netherlands. Both subjects assume the position, sporting goatees, but our contemporary is draped in a snow-white Sean Jean tracksuit and Timberland boots. In this new rendition of the luxurious cloth merchant, Indian textile patterns flatten the background entirely, with tendrils protruding around the model and into the foreground. Dye-sublimation with gold merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.   ...

This 3.25 x 4 in. shield shaped patch features Kehinde Wiley’s 2016 painting Tomb of Pope Alexander VII Study I. A monochromatic floral background protrudes around the model and into the foreground. The subject is looking away from the viewer, in comparison to most of Wiley’s oeuvre meets the gaze between subject and onlooker. Dye-sublimation with purple merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.   ...

This 3 x 3 in. square patch features Kehinde Wiley’s 2007 painting Romaine I, from The World Stage: China series. The painting features the model of the same name, with a fluorescent floral background, which protrudes into the foreground. Dye-sublimation with yellow merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.   ...

This 3 x 4 in. patch features Kehinde Wiley’s 2007 painting Romaine I, from The World Stage: China series. The painting features the model of the same name, with a fluorescent floral background, which protrudes into the foreground. Dye-sublimation with blue merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.  

This 3 x 3 in square patch features Kehinde Wiley’s 2009 painting Nelson Silva Eaflanzino Jr. The model, of the same name, is a resident of Vidigal, a neighborhood and favela in Rio de Janeiro, Brazil. The models for this series were sourced from the surrounding Rio de Janeiro area for The World Stage: Brazil series, some of which were recruited at Petrobas Espaco Cultural Nos do moro, a non-profit school for the Arts, where many actors from the 2003 Academy Award nominated film City of God were discovered. Confidently gazing into the viewer's eyes, Eaflanzino is immersed in a floral background that protrudes around his body and into the foreground, which is common practice for many compositions throughout Wiley’s oeuvre. Dye-sublimation with purple merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019. ...

This hardcover notebook features Kehinde Wiley’s 2009 painting Fall, from The World Stage: Brazil series. Models were sourced locally, from the surrounding Rio de Janeiro area, some of which were recruited at Petrobras Espaco Cultural Nos do moro, a non-profit school for the Arts where many actors from the 2003 Academy Award nominated film City of God were discovered. Ivory-colored paper (70g/m2, acid free plain pages). Hardcover with elastic closure and rounded corners. Dimensions: 6"w x 8.25"d x .5"h. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.

Our limited edition Green Leaf umbrella uniquely features not one but two of Kehinde Wiley paintings. The mirrored fists are sampled from Three Wise Men Greeting Entry Into Lagos (2008), first exhibited at the Studio Museum in Harlem as a part of The World Stage: Africa, Lagos-Dakar series. The painting is in the Philadelphia Academy of the Fine Arts permanent collection, and references the Art Deco statue Welcome to Lagos, which stood in Nigeria along the Lagos-Ibadan toll gate between 1991 to 2004. The green botanical background references a William Cooke wallpaper pattern from the late 19th century, featured in Wiley’s Lunch with Inettia, Lucemy and Soukenya (2021), which was shown in the group show Luncheon on the Grass at Jeffrey Deitch Gallery in Los Angeles. The show featured multiple artists reimagination of Édouard Manet’s 1863 painting Le Déjeuner sur l'herbe. Hardwood handle, 100% Polyester, and 48" arc canopy. Designed in NYC. Made in China. Net proceeds from your purcha......

This oval lucite magnet features Kehinde Wiley’s 2022 painting titled Christian Martyr Tarcisius (El Hadji Malick Gueye), first exhibited in Kehinde Wiley: An Archaeology of Silence at Foundazione Giorgio Cini as a collateral event of the 59th international art exhibition – La Biennale di Venezia. Expanding on Kehinde Wiley's body of work DOWN from 2008, which was initially inspired by Hans Holbein the Younger's The Dead Christ in the Tomb as well as historical paintings and sculptures of fallen warriors and figures in the state of repose, Wiley created an unsettling series of prone Black bodies, re-conceptualizing classical pictorial forms to create a contemporary version of monumental portraiture, resounding with violence, pain, and death, as well as ecstasy. 3" x 4" lucite magnet. Designed in New York City. Made in China. Proceeds from your purchase support the artists-in-residence program Black Rock Sénégal, founded by Wiley in 2019....

This oval lucite magnet features Kehinde Wiley’s 2022 painting titled The Wounded Achilles, first exhibited in Kehinde Wiley: An Archaeology of Silence at Foundazione Giorgio Cini as a collateral event of the 59th international art exhibition – La Biennale di Venezia. Expanding on Kehinde Wiley's body of work DOWN from 2008, which was initially inspired by Hans Holbein the Younger's The Dead Christ in the Tomb as well as historical paintings and sculptures of fallen warriors and figures in the state of repose, Wiley created an unsettling series of prone Black bodies, re-conceptualizing classical pictorial forms to create a contemporary version of monumental portraiture, resounding with violence, pain, and death, as well as ecstasy. 3" x 4" lucite magnet. Designed in New York City. Made in China. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019. ...

This rectangular lucite magnet features Kehinde Wiley’s 2022 painting titled The Death of Hyacinth (Ndey Buri Mboup), first exhibited in Kehinde Wiley: An Archaeology of Silence at Foundazione Giorgio Cini as a collateral event of the 59th international art exhibition – La Biennale di Venezia. Expanding on Kehinde Wiley's body of work DOWN from 2008, which was initially inspired by Hans Holbein the Younger's The Dead Christ in the Tomb as well as historical paintings and sculptures of fallen warriors and figures in the state of repose, Wiley created an unsettling series of prone Black bodies, re-conceptualizing classical pictorial forms to create a contemporary version of monumental portraiture, resounding with violence, pain, and death, as well as ecstasy. 3" x 4" lucite magnet. Designed in New York City. Made in China. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019....