Clothing & Accessories

This limited edition tote bag features Kehinde Wiley’s 2019 painting Portrait of Nelly Moudime, an oval painting from a series featuring models in classical European armor. She is the subject of two other Kehinde Wiley paintings — one from a hip hop inspired photoshoot styled by design-duo Dee and Ricky (Portrait of Nelly Moudime II, 2020), as well as a group portrait from the same shoot (Portrait of Nelly Moudime and Najaee Hall, 2020). She appears in front of a fluorescent botanical background, inspired by a Russian, late 19th century velvet munisak. Two-sided canvas bag Satin lined Jacquard woven logo handles Measures 16 x 17 inches Handle drop 11 inches Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.   ...

This 3 x 3 in. circular patch features Kehinde Wiley’s 2020 painting Portrait of Savannah Essah. The model, of the same name, is a resident of London. The models for this series were scouted in the East London Neighborhood of Dalston. The backgrounds used in this series were taken from William Morris wallpaper designs, utilized in conjunction with the acclaimed feminist text, The Yellow Wallpaper, by Charlotte Perkins Gilman. Wiley’s The Yellow Wallpaper exhibition explored the themes of femininity and insanity, as described in the eponymous text, and places the female sitters in the language of the decorative to reconcile the themes of blackness and gender with a beautiful and terrible past, as the models gaze back at the viewers surrounded by Morris’ lavish and enveloping patterning. Dye-sublimation with blue merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019. ...

This 3.25 x 4 in. shield shaped patch features Kehinde Wiey’s 2018 painting Jacob de Graeff, reimagined from Gerard ter Borch’s 1674 painting of the same name. Brincel Kape’li Wiggins Jr. is the subject of this painting, his hat reads “Ferguson,” a neighborhood outside St. Louis where Michael Brown was killed by police in 2014, sparking protests and outrage throughout all 50 states. Commissioned by the St. Louis Art Museum, Wiley scouted for models throughout northern St. Louis and Ferguson to be the subjects of 11 portraits, all of which would be inspired by historic portraits within the museum's permanent collection. Dye-sublimation with deep teal merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.  ...

This 3 x 3 in. square patch features Kehinde Wiley’s 2008 painting Matar Mbaye II, from The World Stage: Africa, Lagos-Dakar. Featuring the model of the same name, an intricate grapevine background protrudes around his torso and into the foreground as his gaze meets the viewers directly. Taking on a more regional approach, Wiley turned to many post-colonial sculptures throughout Lagos and Dakar for reference poses for his models. Dye-sublimation with purple merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.

This limited edition tote bag features Kehinde Wiley's 2012 painting Mrs. Siddons, which was first exhibited at Sean Kelly Gallery in "An Economy of Grace", Wiley's first-ever series dedicated to female subjects. Reimagined from Thomas Gainsborough's 1785 painting of the same name, Wiley's subject wears a dress designed in collaboration with Riccardo Tisci. Assuming the pose of her 18th century counterpart, her head is tilted rightward, looking to something beyond the canvas edges. Two-sided canvas bag Satin lined Jacquard woven logo handles Measures 16 x 17 inches Handle drop 11 inches Net proceeds from your purchase support Black Rock Sénégal, Wiley's artist in residence program in Dakar, Sénégal. ...

This 3 x 3 in. square patch features Kehinde Wiley’s 2009 painting Alegoria a Lei do Ventre Livre, reimagined from A.D. Bressae’s Alegoria a Lei do Ventre Livre (Allegory of the Law of Free Birth). The gesso scultpure serves as an allegory for the 1871 law that awarded “freedom” to children who were born of slave parents. Under this legislation, unless slave owners were compensated, these children were required to stay with their slave parents until they reached 21 years of age. The irony of this law is bypassed in A.D. Bressae’s rendering of a young Black boy proudly holding a notice of law in one hand, and a broken chain in the other. Wiley’s rendition features a model that is less-than-enthusiastic for such a legislation that ultimately bought slave owners more time against abolitionists. Dye-sublimation with green merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.  ...

This all over print, unisex t-shirt features imagery directly pulled from Kehinde Wiley’s original painting, Death of St. Joseph.  Luxuriously crafted with comfort and durability in mind, this t-shirt is made from soft, ring-spun poly.  Cut and sewn in LA. Adapted specifically for this limited-edition t-shirt, Wiley’s painting Death of St. Joseph (2017) derives its ideation from 18thCentury classical biblical portraiture and the enigmatic art history of St. Joseph, boldly reimagined for a contemporary audience.  The garment’s visionary portrait is vibrantly displayed on the back and its stylized and imaginative design of lush multi-colored flowers, greenery and a powerful yet playful rooster decorate the entire surface of the shirt. -Sublimated ring-spun poly.-Made in China-Model is wearing size Medium-Not sure of your size? Please view our Size Chart Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019....

This 3.25 x 4 in. shield shaped patch features Kehinde Wiley’s 2006 painting Willem van Heythuysen, reimagined from Frans Hals’s Portrait of Willem van Heythuysen. Wiley’s model, a young man from Harlem, New York, can only be identified by the name of his 17th century counterpart, from the other Haarlem, in the Netherlands. Both subjects assume the position, sporting goatees, but our contemporary is draped in a snow-white Sean Jean tracksuit and Timberland boots. In this new rendition of the luxurious cloth merchant, Indian textile patterns flatten the background entirely, with tendrils protruding around the model and into the foreground. Dye-sublimation with gold merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.   ...

This 3.25 x 4 in. shield shaped patch features Kehinde Wiley’s 2016 painting Tomb of Pope Alexander VII Study I. A monochromatic floral background protrudes around the model and into the foreground. The subject is looking away from the viewer, in comparison to most of Wiley’s oeuvre meets the gaze between subject and onlooker. Dye-sublimation with purple merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.   ...