Fall Winter 2023

This 32-page coloring book includes 15 ready to be colored-in works from Kehinde Wiley's 2013 exhibition The World Stage: Jamaica. First exhibited at Stephen Friedman Gallery in London, Wiley, using his notorious street casting method, places contemporary Jamaican natives in heroic poses that reference directly from 17th and 18th century British portraiture and feature background patterns inspired by British textiles. The body of works offers a corrective to the omission of the black figure from art history and specifically comments on the nature of the relationship between the United Kingdom and its former colonial holding. Wiley’s exhibition The World Stage: Jamaica is part of a broader project titled "The World Stage," which presents portraits of black and brown men and women the artist met in China, Brazil, Nigeria, Haiti, Israel, and India.  -8.5"x11" -15 illustrated works to color-in -Soft-touch, coated paper finish -Recommended mediums: non-bleed markers and wax or oil-based......

This limited edition tote bag features Kehinde Wiley's 2012 painting Mrs. Siddons, which was first exhibited at Sean Kelly Gallery in "An Economy of Grace", Wiley's first-ever series dedicated to female subjects. Reimagined from Thomas Gainsborough's 1785 painting of the same name, Wiley's subject wears a dress designed in collaboration with Riccardo Tisci. Assuming the pose of her 18th century counterpart, her head is tilted rightward, looking to something beyond the canvas edges. Two-sided canvas bag Satin lined Jacquard woven logo handles Measures 16 x 17 inches Handle drop 11 inches Net proceeds from your purchase support Black Rock Sénégal, Wiley's artist in residence program in Dakar, Sénégal. ...

Unveiling our first Limited Edition Genuine Leather Soccer Ball – a tribute to artistry and athleticism from The Kehinde Wiley Shop. Our sports collectibles line is ever-evolving, and now, we celebrate the dynamic fusion of sport and art with a nod to Kehinde Wiley's 2018 painting, Portrait of Yvonne Osei. Crafted from the finest genuine leather, this soccer ball showcases intricately extracted floral details, mirroring the vivid blooms found in Wiley's piece. Meticulously designed and only 500 available, this limited edition soccer ball is a true collector's item. The floral elements bring a burst of exceptionally artistic and vitality to the game of your collection.   Regulation size, premium leather soccer ball Oiled walnut soccer ball plinth with laser cut Kehinde Wiley signature Ships deflated, pump required Includes monogrammed cotton dust bag and plinth Only 500 available Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by......

This deck of cards features A Portrait of a Young Gentleman, (2021) by Kehinde Wiley, which was created as a contemporary response to Thomas Gainsborough's iconic Blue Boy portrait (1770).  This set of playing cards is inspired by the manner in which Wiley's painting reimagines Gainsborough's young, white subject as a Black, Senegalese surfer and replaces the original moody, wooded landscape with a vibrant, floral backdrop.   54 playing cards, linen embossed finish. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.  

The Blue Boy candle is titled after Kehinde Wiley's painting, A Portrait of a Young Gentleman (2021), created as a contemporary response to Thomas Gainsborough's iconic Blue Boy portrait (1770).  This limited edition candle is inspired by the manner in which Wiley's painting reimagines Gainsboroughs young, white subject as a Black, Senegalese surfer, and replaces the original moody, wooded landscape with a vibrant floral backdrop.  The scent is comprised of a poignant blend of cedar wood, incense, Siberian Fir and black pepper. Candle boxes may contain oil spots on the inner portion, this does not affect the outside of the box or the functionality of the candle. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.  

This limited edition cotton bandana features Kehinde Wiley's 2013 Portrait of James Hamilton, Earl of Arran. As part of the “The World Stage: Jamaica” series, it was first exhibited at Stephen Friedman Gallery, in London. Reimagined from the 1623 Daniel Mytens the Elder painting of the same name, Wiley depicts a young Black man from Kingston to mimic the pose of his 17th century counterpart. With his hands at his side, he is positioned forwardly with his head tilted right as his gaze meets the viewer. A William Morris inspired textile background accompanies him, incorporating the same color palette as the model’s shirt, along with the botanical tendrils that overlap his body.  The delineation between the model’s clothing and the background are almost indiscernible.  24 x 24 in (61 x 61 cm). Double sided printing. 100 grams. Cotton Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019. ...

This limited edition tote bag features Kehinde Wiley's 2022 painting titled The Death of Hyacinth (Ndey Buri Mboup), first exhibited in Kehinde Wiley: An Archaeology of Silence at Foundazione Giorgio Cini in 2022, as a collateral event of the 59th international art exhibition – La Biennale di Venezia. Expanding on Kehinde Wiley's body of work DOWN from 2008, which was initially inspired by Hans Holbein the Younger's The Dead Christ in the Tomb as well as historical paintings and sculptures of fallen warriors and figures in the state of repose, Wiley created an unsettling series of prone Black bodies, re-conceptualizing classical pictorial forms to create a contemporary version of monumental portraiture, resounding with violence, pain, and death, as well as ecstasy. Two-sided canvas bag Satin lined Jacquard woven logo handles Measures 16 x 17 inches Handle drop 11 inches Net proceeds from your purchase support Black Rock Sénégal, Wiley's artist in residence program in Dakar,......

This limited edition silk twill scarf features Kehinde Wiley’s painting, ‘Equestrian Portrait of the Count-Duke Olavares," 2005, which is a reinterpretation of the portrait of the Count-Duke by Diego Velázquez. The painting shows Wiley’s interest in updating aristocratic portraiture for the contemporary audience by depicting a Black subject posed in a powerful equestrian stance as his horse prepares to gallop into battle. While the horse majestically stands on its hindlegs, the subject looks back to engage with the viewer, portraying an air of confidence and sophistication. The scarf is made from Italian silk twill with the image printed on both sides and is presented in a monogrammed rigid box, wrapped in branded tissue paper. 36 x 36 in (91 x 91 cm).Printed on both sides.Made in Italy. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019. IN STOCK!...

This tapestry blanket features extracted elements from Kehinde Wiley’s 2008 painting Place Soweto (National Assembly) from The World Stage: Africa, Lagos-Dakar series, first exhibited at the Studio Museum in Harlem. The woven blanket features ornate background details from the original painting, showcasing the use of intricate floral blooms and vines that are exhibited throughout the series. Created during Wiley’s expanded visits to Nigeria and Senegal in the mid 2000s, and as an extension of his multinational “The World Stage” series, he brings into focus African youth in both cities, highlighting local representations of pre-colonial and post-colonial political power.  The construction process is a woven jacquard with a modern loom, made up of the warp and weft loom method. Perfect for the living room, your wall, outdoor trips, or wherever else your adventures take you.   -100% Recycled cotton; 100% Leather patch -Reversible unique design with fringe detailing -Designed in New Y......

This limited edition silk twill scarf features Kehinde Wiley’s painting ‘Two Heroic Sisters of the Grassland,' 2011.  Titled after the Chinese parable about two Mongolian sisters, who almost sacrifice their lives to protect their flock of sheep, the piece depicts two subjects, possibly brothers, who stand side by side with their arms in a salute. Based around a story which explores themes of dedication and perseverance, this piece demonstrates the power of unity over division and the importance of the black community to engage in harmony, especially in the face of adversity. This scarf also features a patterned background of navy blue chrysanthemums attached to graceful vines, and is presented in a monogrammed rigid box, wrapped in branded tissue paper. Silk Twill Scarf.36 x 36 in (91 x 91 cm).Printed on both sides.Made in Italy. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019....

This tapestry blanket features extracted elements from Kehinde Wiley’s 2008 painting Place Soweto (National Assembly) from The World Stage: Africa, Lagos-Dakar series, first exhibited at the Studio Museum in Harlem. The woven blanket features ornate background details from the original painting, showcasing the use of intricate floral blooms and vines that are exhibited throughout the series. Created during Wiley’s expanded visits to Nigeria and Senegal in the mid 2000s, and as an extension of his multinational The World Stage series, he brings into focus African youth in both cities, highlighting local representations of pre-colonial and post-colonial political power. The construction process is a woven jacquard with a modern loom, made up of the warp and weft loom method. Perfect for the living room, your wall, outdoor trips, or wherever else your adventures take you.   -100% Recycled cotton; 100% Leather patch -Reversible unique design with fringe detailing -Designed in New Yor......

This open edition 2023 leather basketball features Kehinde Wiley’s 2013 painting John Wilmot, 2nd Earl of Rochester from the artist's series The World Stage: Jamaica. First exhibited at Stephen Friedman Gallery in London, Wiley, using his notorious street casting method, places contemporary Jamaican natives in heroic poses that reference directly from 17th and 18th century British portraiture and feature background patterns inspired by British textiles. The body of works offers a corrective to the omission of the black figure from art history and specifically comments on the nature of the relationship between the United Kingdom and its former colonial holding. Wiley’s exhibition The World Stage: Jamaica is part of a broader project titled "The World Stage," which presents portraits of black and brown men and women the artist met in China, Brazil, Nigeria, Haiti, Israel, and India.  Regulation size, premium leather basketball Oiled pine basketball plinth with laser cut Kehinde Wiley......