Cyber Monday

This deck of cards features A Portrait of a Young Gentleman, (2021) by Kehinde Wiley, which was created as a contemporary response to Thomas Gainsborough's iconic Blue Boy portrait (1770).  This set of playing cards is inspired by the manner in which Wiley's painting reimagines Gainsborough's young, white subject as a Black, Senegalese surfer and replaces the original moody, wooded landscape with a vibrant, floral backdrop.   54 playing cards, linen embossed finish. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.  

This all over print, unisex t-shirt features imagery directly pulled from Kehinde Wiley’s original painting, Death of St. Joseph.  Luxuriously crafted with comfort and durability in mind, this t-shirt is made from soft, ring-spun poly.  Cut and sewn in LA. Adapted specifically for this limited-edition t-shirt, Wiley’s painting Death of St. Joseph (2017) derives its ideation from 18thCentury classical biblical portraiture and the enigmatic art history of St. Joseph, boldly reimagined for a contemporary audience.  The garment’s visionary portrait is vibrantly displayed on the back and its stylized and imaginative design of lush multi-colored flowers, greenery and a powerful yet playful rooster decorate the entire surface of the shirt. -Sublimated ring-spun poly.-Made in China-Model is wearing size Medium-Not sure of your size? Please view our Size Chart Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019....

This 3 x 3 in. square patch features Kehinde Wiley’s 2009 painting Alegoria a Lei do Ventre Livre, reimagined from A.D. Bressae’s Alegoria a Lei do Ventre Livre (Allegory of the Law of Free Birth). The gesso scultpure serves as an allegory for the 1871 law that awarded “freedom” to children who were born of slave parents. Under this legislation, unless slave owners were compensated, these children were required to stay with their slave parents until they reached 21 years of age. The irony of this law is bypassed in A.D. Bressae’s rendering of a young Black boy proudly holding a notice of law in one hand, and a broken chain in the other. Wiley’s rendition features a model that is less-than-enthusiastic for such a legislation that ultimately bought slave owners more time against abolitionists. Dye-sublimation with green merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.  ...

This limited edition tote bag features Kehinde Wiley's 2012 painting Mrs. Siddons, which was first exhibited at Sean Kelly Gallery in "An Economy of Grace", Wiley's first-ever series dedicated to female subjects. Reimagined from Thomas Gainsborough's 1785 painting of the same name, Wiley's subject wears a dress designed in collaboration with Riccardo Tisci. Assuming the pose of her 18th century counterpart, her head is tilted rightward, looking to something beyond the canvas edges. Two-sided canvas bag Satin lined Jacquard woven logo handles Measures 16 x 17 inches Handle drop 11 inches Net proceeds from your purchase support Black Rock Sénégal, Wiley's artist in residence program in Dakar, Sénégal. ...

This all over print, unisex t-shirt features imagery directly pulled from Kehinde Wiley’s painting, A Portrait of a Young Gentleman.  Luxuriously crafted with comfort and durability in mind, this t-shirt is made from soft, ring-spun poly.  Cut and sewn in LA. Adapted specifically for this t-shirt, Wiley’s painting A Portrait of a Young Gentleman (2021) was created as a contemporary response to Thomas Gainsborough's iconic Blue Boy portrait (1770). His painting reimagines Gainsborough's young white subject as a Black, Senegalese surfer and replaces the original moody wooded landscape with a vibrant floral backdrop which decorates the entire surface of the shirt. -Sublimated ring-spun poly.-Made in China-Model is wearing size Medium-Not sure of your size? Please view our Size Chart Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019....

This 3.25 x 4 in. shield shaped patch features Kehinde Wiley’s 2006 painting Willem van Heythuysen, reimagined from Frans Hals’s Portrait of Willem van Heythuysen. Wiley’s model, a young man from Harlem, New York, can only be identified by the name of his 17th century counterpart, from the other Haarlem, in the Netherlands. Both subjects assume the position, sporting goatees, but our contemporary is draped in a snow-white Sean Jean tracksuit and Timberland boots. In this new rendition of the luxurious cloth merchant, Indian textile patterns flatten the background entirely, with tendrils protruding around the model and into the foreground. Dye-sublimation with gold merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.   ...

This 3.25 x 4 in. shield shaped patch features Kehinde Wiley’s 2016 painting Tomb of Pope Alexander VII Study I. A monochromatic floral background protrudes around the model and into the foreground. The subject is looking away from the viewer, in comparison to most of Wiley’s oeuvre meets the gaze between subject and onlooker. Dye-sublimation with purple merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.   ...

This 3 x 3 in. square patch features Kehinde Wiley’s 2007 painting Romaine I, from The World Stage: China series. The painting features the model of the same name, with a fluorescent floral background, which protrudes into the foreground. Dye-sublimation with yellow merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.   ...

This 3 x 4 in. patch features Kehinde Wiley’s 2007 painting Romaine I, from The World Stage: China series. The painting features the model of the same name, with a fluorescent floral background, which protrudes into the foreground. Dye-sublimation with blue merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.  

This hardcover notebook features Kehinde Wiley’s 2013 painting Saint John the Baptist in the Wilderness, reimagined from Michelangelo Merisi da Caravaggio’s 1605 painting of the same name. Both the pose of Wiley’s model, as well as the background pattern (William Morris) were both sourced from the artistic traditions of Jamaica's former colonizer. Jamaica's brutal history of colonization, slavery, and forced migrations positions it as a perfect subject matter for Wiley’s methodical, role-reversing portraiture oeuvre. Ivory-colored paper (70g/m2, acid free Plain pages). Hardcover with elastic closure and rounded corners. Dimensions: 6"w x 8.25"d x .5"h. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019. ...

This limited edition deck of cards features Kehinde Wiley’s 2008 painting Morpheus, reimagined from the Jean-Antoine Houdon 1777 marble sculpture of the same name. Featured in the 2008 exhibition “Down” at Deitch Projects, the series references and re-conceptualizes classic pictorial forms of heroism in the face of death. Morpheus features a model from Brooklyn, lain across a white sheet while florals from the background spring into life around his body. Unlike its 18th century counterpart, he addresses onlookers with direct eye contact and a seductive look of invitation, with the repeating floral background protruding into the foreground. 52 playing cards. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.  ...

This limited edition silk twill scarf features Kehinde Wiley’s painting, ‘Equestrian Portrait of the Count-Duke Olavares," 2005, which is a reinterpretation of the portrait of the Count-Duke by Diego Velázquez. The painting shows Wiley’s interest in updating aristocratic portraiture for the contemporary audience by depicting a Black subject posed in a powerful equestrian stance as his horse prepares to gallop into battle. While the horse majestically stands on its hindlegs, the subject looks back to engage with the viewer, portraying an air of confidence and sophistication. The scarf is made from Italian silk twill with the image printed on both sides and is presented in a monogrammed rigid box, wrapped in branded tissue paper. 36 x 36 in (91 x 91 cm).Printed on both sides.Made in Italy. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019. IN STOCK!...