Wholesale Collection

This limited edition tote bag features Kehinde Wiley’s 2019 painting Portrait of Nelly Moudime, an oval painting from a series featuring models in classical European armor. She is the subject of two other Kehinde Wiley paintings — one from a hip hop inspired photoshoot styled by design-duo Dee and Ricky (Portrait of Nelly Moudime II, 2020), as well as a group portrait from the same shoot (Portrait of Nelly Moudime and Najaee Hall, 2020). She appears in front of a fluorescent botanical background, inspired by a Russian, late 19th century velvet munisak. Two-sided canvas bag Satin lined Jacquard woven logo handles Measures 16 x 17 inches Handle drop 11 inches Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.   ...

This heavy-duty canvas tote bag exclusively supports Black Rock Sénégal, an artist-in-residence program founded by Kehinde Wiley in 2019. Black Rock Sénégal stands as a living testament to our shared commitment to nurturing the arts, fostering cross-cultural connections, and catalyzing positive change. For more information, please visit us www.kehindewileyshop.com/blackrockartsfoundation 100% Cotton canvas, 15oz Measures 18” x 14” Handle drop 9 inches Made in USA 100% of profit proceeds from your purchase support the artist-in-residence program Black Rock Sénégal, founded by Wiley in 2019.  ...

This heavy-duty canvas bag is a great way to support Black Rock Senegal. 100 percent cotton canvas. Stainless steel zipper. Measures 26 x 20 inches. Handle drop 9 inches. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.  

This Limited Edition Deck of Cards features Kehinde Wiley's 2007 masterpiece, St. Bartholomew. Wiley skillfully reimagines Jusepe de Ribera's 1634 painting of the same title, inviting us to traverse the crossroads of tradition and contemporary identity. Through vibrant patterns, the artist breathes new life into the historical narrative, presenting a powerful portrayal of a modern saint. Mirroring its 17th-century counterpart, the composition remains nearly identical, with a background adorned in vintage and ornate details of kittens, yarn, and chicks, playfully patterning around the model's body and extending into the soft pink foreground. 54 playing cards, linen embossed finish. Designed in New York. Made in USA. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019....

This deck of cards features A Portrait of a Young Gentleman, (2021) by Kehinde Wiley, which was created as a contemporary response to Thomas Gainsborough's iconic Blue Boy portrait (1770).  This set of playing cards is inspired by the manner in which Wiley's painting reimagines Gainsborough's young, white subject as a Black, Senegalese surfer and replaces the original moody, wooded landscape with a vibrant, floral backdrop.   54 playing cards, linen embossed finish. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.  

This deck of cards features Kehinde Wiley’s 2007 painting Officer of the Hussars. Sitting high on a horse with a leopard skin saddle and welding a sabre, the model mirrors the subject of Théodore Géricault’s 1812 painting of the same title. The model, in contemporary clothing with Timberlands and a watch, turns to face the viewer as his horse rears up in a deserted battlefield. At first glance, like many Kehinde Wiley paintings, makes viewers observe who has power. 54 playing cards, linen embossed finish. Designed in New York. Made in USA. Exclusive. Only available on our site and at Detroit Institute of Arts. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019....

This limited edition deck of cards features Kehinde Wiley’s 2008 painting Morpheus, reimagined from the Jean-Antoine Houdon 1777 marble sculpture of the same name. Featured in the 2008 exhibition “Down” at Deitch Projects, the series references and re-conceptualizes classic pictorial forms of heroism in the face of death. Morpheus features a model from Brooklyn, lain across a white sheet while florals from the background spring into life around his body. Unlike its 18th century counterpart, he addresses onlookers with direct eye contact and a seductive look of invitation, with the repeating floral background protruding into the foreground. 52 playing cards. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.  ...

This 3 x 3 in. circular patch features Kehinde Wiley’s 2020 painting Portrait of Savannah Essah. The model, of the same name, is a resident of London. The models for this series were scouted in the East London Neighborhood of Dalston. The backgrounds used in this series were taken from William Morris wallpaper designs, utilized in conjunction with the acclaimed feminist text, The Yellow Wallpaper, by Charlotte Perkins Gilman. Wiley’s The Yellow Wallpaper exhibition explored the themes of femininity and insanity, as described in the eponymous text, and places the female sitters in the language of the decorative to reconcile the themes of blackness and gender with a beautiful and terrible past, as the models gaze back at the viewers surrounded by Morris’ lavish and enveloping patterning. Dye-sublimation with blue merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019. ...

This 3.25 x 4 in. shield shaped patch features Kehinde Wiey’s 2018 painting Jacob de Graeff, reimagined from Gerard ter Borch’s 1674 painting of the same name. Brincel Kape’li Wiggins Jr. is the subject of this painting, his hat reads “Ferguson,” a neighborhood outside St. Louis where Michael Brown was killed by police in 2014, sparking protests and outrage throughout all 50 states. Commissioned by the St. Louis Art Museum, Wiley scouted for models throughout northern St. Louis and Ferguson to be the subjects of 11 portraits, all of which would be inspired by historic portraits within the museum's permanent collection. Dye-sublimation with deep teal merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.  ...

This 3 x 3 in. square patch features Kehinde Wiley’s 2008 painting Matar Mbaye II, from The World Stage: Africa, Lagos-Dakar. Featuring the model of the same name, an intricate grapevine background protrudes around his torso and into the foreground as his gaze meets the viewers directly. Taking on a more regional approach, Wiley turned to many post-colonial sculptures throughout Lagos and Dakar for reference poses for his models. Dye-sublimation with purple merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.

This 3 x 3 in. square patch features Kehinde Wiley’s 2009 painting Alegoria a Lei do Ventre Livre, reimagined from A.D. Bressae’s Alegoria a Lei do Ventre Livre (Allegory of the Law of Free Birth). The gesso scultpure serves as an allegory for the 1871 law that awarded “freedom” to children who were born of slave parents. Under this legislation, unless slave owners were compensated, these children were required to stay with their slave parents until they reached 21 years of age. The irony of this law is bypassed in A.D. Bressae’s rendering of a young Black boy proudly holding a notice of law in one hand, and a broken chain in the other. Wiley’s rendition features a model that is less-than-enthusiastic for such a legislation that ultimately bought slave owners more time against abolitionists. Dye-sublimation with green merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.  ...

This 3.25 x 4 in. shield shaped patch features Kehinde Wiley’s 2006 painting Willem van Heythuysen, reimagined from Frans Hals’s Portrait of Willem van Heythuysen. Wiley’s model, a young man from Harlem, New York, can only be identified by the name of his 17th century counterpart, from the other Haarlem, in the Netherlands. Both subjects assume the position, sporting goatees, but our contemporary is draped in a snow-white Sean Jean tracksuit and Timberland boots. In this new rendition of the luxurious cloth merchant, Indian textile patterns flatten the background entirely, with tendrils protruding around the model and into the foreground. Dye-sublimation with gold merrowed borders and iron on backing. Net proceeds from your purchase support the artist in residence program Black Rock Sénégal, founded by Wiley in 2019.   ...